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Darwin waxing lyrical

Charles Darwin was in an unusually poetical mood 175 years ago today:

The night was pitch dark, with a fresh breeze. — The sea from its extreme luminousness presented a wonderful & most beautiful appearance; every part of the water, which by day is seen as foam, glowed with a pale light. The vessel drove before her bows two billows of liquid phosphorus, & in her wake was a milky train. — As far as the eye reached, the crest of every wave was bright; & from the reflected light, the sky just above the horizon was not so utterly dark as the rest of the Heavens. — It was impossible to behold this plain of matter, as it were melted & consuming by heat, without being reminded of Milton’s description of the regions of Chaos & Anarchy.

More Darwiniana later today, possibly.

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Culture

Visiting the crack

Last week I went to see the crack at Tate Modern, which is the latest big artwork in the Turbine Hall. You can read what the Tate thinks it’s about here. I found it less impressive in reality than I expected. I’d heard about it before I went, and it looked exactly as I expected except I vaguely thought it might be bigger and scarier at the fat end.


Shibboleth by Doris Salcedo – the crack at Tate Modern, London, originally uploaded by chrisjohnbeckett.

I personally didn’t notice it exposing a fracture in modernity itself or encouraging me to confront uncomfortable truths about our history and about ourselves with absolute candidness, but then I didn’t read the blurb until after I saw it.

I also went to the Louise Bourgeois exhibition. Which I quite enjoyed although I wasn’t really in the right mood to give it the attention a major retrospective hopefully deserves. Bourgeois was born in Paris in 1911 but has lived in New York since 1938. One interest was just to see work produced over such a long period; the earliest works were from the 1940s and the most recent from this year. I thought the objects were quite likeable—they had a very human sort of quality. A lot of contemporary art seems to be either highly finished and glossy or so roughly put together that it looks scruffy and half-arsed. This work avoids either quality. Apart from the traditional sculpture, I thought one example of that was the recent works which are ‘rooms’ assembled together out of found objects: furniture and tapestries and stuff. The objects themselves are battered and tatty, and it’s the kind of work which can often be a bit nothingy, but here I felt they were thoughtfully put together and really felt like coherent artworks. Those works also seemed very French; after 60 years in New York producing work that doesn’t seem so specific to a particular place, it’s interesting to see her returning to the details of her childhood in France.

Anyway. I can’t really claimed to have engaged with it in a very meaningful way, but it was interesting enough. I’ve got a cold and I’m feeling a bit shit, so rather than rambling on any more I think I’ll go and make some hot lemon and honey or something. Can anyone suggest any other favourite homemade cold remedies?

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Me Other

computer problems

I’m having serious computer problems—like not being able to turn it on—so posting is liable to be sporadic. Just fyi.

EDIT: I’ve seized the opportunity while my computer is running of posting a new picture at Clouded Drab.

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Me Other

Simon and Garfunkel sausage stew

I was picking a few herbs to put in a stew earlier and realised I’d picked parsley, sage, rosemary and thyme.

Yes, I do know that the song is a traditional one, but it’s completely associated with S&G in my head. Despite the fact that they pronounce Scarborough with an ‘o’ on the end.

The stew was nice, either way. I sweated down some shallots, half an onion, a stick of celery, a tomato, a couple of cloves of garlic and a green chilli in olive oil and butter with some of the herbs. In a separate pan I fried off some smoked pancetta, then some free-range rare breed pork sausages then some mushrooms. I combined it all in a casserole and deglazed the frying pan into the casserole with a bit of water; then added a rinsed-off tin of borlotti beans, some fresh chicken stock and some more herbs, brought it to the boil and put it in the oven at 160C for about an hour and ten minutes, the last ten minutes with the lid off.

Sausage casserole isn’t a dish that has very positive associations for me. It reminds me of student cooking, and students are, after all, cheap and don’t know what they’re doing. And, at least in my day, we all seemed to drown everything in tinned tomatoes.

But you learn as you get better at cooking is that for most of these dishes which seem naff or old-fashioned, it’s not the fault of the concept, it’s the execution. Use good ingredients, treat them well, and the result can be delicious.

The recipe that really brought this home for me was meatloaf. I remember on the sitcom Roseanne, she was always cooking meatloaf for her family, and that was exactly the image I had of it: blue-collar utility food. Convenient, cheap and easy; one step up from a TV dinner. And then, in a book of Italian cooking, I found a recipe for something called polpettone; a rich, mouth-watering concoction of beef, chopped salami, cheese, onion, peppers, herbs, garlic, but a meatloaf by any other name. And as American as it seems now, it seems plausible that meatloaf actually is polpettone, taken across by Italian immigrants and naturalised, just as the equally American barbecue ribs are Chinese. That meatloaf is in fact as American as apple pie.

Aside from displaying the various facets of my food snobbery, I do have a broader point: there is no excuse for boring food. The whole craft of cooking is to make food interesting. Most ingredients are fairly dull on their own: it’s the cook’s job to enhance the flavour that’s there and add more favours as necessary. Things like sausage casserole, fish pie, beef stew, and meatloaf aren’t inherently bland: they’re only bland if they’re made that way.