Or ‘Picasso: The Cheerful Years’. I have no idea how cheerful or otherwise Picasso really was during the late 40s and 50s, but that’s the impression given by this exhibition.
The style which is most famously used in his earlier work, in paintings like Guernica and the Weeping Woman, to express something about the darker sides of the human experience, is here used in cheery, brightly coloured pictures of children playing.
A painting certainly doesn’t need gloomy subject matter to have artistic merit, but even so, this felt like Picasso-Lite; enjoyable enough, but more decorative, less intense. And why not, after all. He didn’t have anything to prove by that point.