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Yay for Twenty20 cricket.

I’ve really been enjoying the Twenty20 World Cup, and the more I see of twenty-over cricket and the more it matures as a game, the the more I think it’s a brilliant invention.

Someone has finally invented a form of the game where every ball is interesting. Before it started, the assumption was that T20 would be all about sixes; but it’s equally true that it’s all about dot balls. I mean really, a form of cricket where a dot ball is an exciting event: it’s a fucking miracle.

And I love the fact that it legitimises six-hitting. Even Test-cricket purists love to see big sixes. But really, in Test cricket, it’s a self-indulgent shot; the shot of a show-off. You can argue, perhaps, that it’s a valuable weapon in the psychological battle between bowler and batsman; and there are a few situations, like hastening a declaration or when a batsman is running out of partners, where it makes more sense; but the honest truth is that usually the extra two runs are just not worth the risk.*

In 20 over cricket, though, where run rates are so important, it is an entirely reasonable calculated risk. Even in Twenty20 there’s a risk of overvaluing sixes; it’s noticeable that the most successful batsman of the tournament, Tillekeratne Dilshan, is not a big six-hitter, and has racked up most of his runs as fours. But it is certainly a legitimate shot, and as a supporter you can just enjoy the spectacle, without that queasy sense that it’s all about to go pear-shaped.

Don’t get me wrong, I love the different pleasures of Test cricket. Admittedly, it can be the most tedious game in the world. But at its best, the slowness of Test cricket is its great strength. It’s the gradual ratcheting up of tension, the shifting balance of bat and ball, the psychological endurance needed for a long innings. At its best it doesn’t just produce exciting moments, it produces engrossing passages of play that develop over an hour or an afternoon — which is why it never works that well as highlights. It’s seeing the batsman playing and missing over and over, the ball whistling past off stump, that creates the atmosphere for the release of tension when the batsmen hits a beautiful straight drive for four — or the bowler sends the off stump cartwheeling.

But if we are going to have a short form of the game, then let’s get rid of the fifty over game, which is neither one thing or the other, and so often drifts towards a result which is entirely predictable with twenty overs to go.

And incidentally, if there were ever two countries who were in need of a bit of light relief to distract them from the more dismal realities of their domestic politics, it would be Pakistan and Sri Lanka. So let’s hope for a great final.

* Kevin Pietersen has played the same number of tests, 52, as Don Bradman; Bradman scored six sixes, KP has scored 48. Bradman converted 70% of his 50s into centuries and 29% into double or triple centuries. KP has converted 53% of his 50s into 100s, which is actually pretty good, but only scored one double hundred. Admittedly, comparing anyone to Bradman is a bit harsh. But still.

» The photo, Brooding sky @ the cricket, is © Mark Elkins and used under a CC by-nc licence. I suppose it’s a bit odd to illustrate the post with a shot of the groundstaff preparing the pitch instead of the actual play, but I liked the shot.

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How to reform the FA Cup

My solution to the periodic handwringing about how to make the FA Cup more popular again, and as a bonus, to reform the UEFA Cup as well.

It’s simple: make the UEFA Cup an extension of the FA Cup. The genius of the FA Cup is that the format maximises the chance of shock results. No group stage, no seeding, no ties played over two legs with the away goals rule: just straight knockout competition, winner takes all. It has a similar conceptual purity to the league; in the league, every team plays every other team home and away and you tally up the points. In the FA Cup, you just put all the names into a hat to decide who plays who, and the winner gets to stay in the competition. And whereas the league is set up to decide which is the best team in the country in the fairest, most objective way possible, the FA Cup is just the opposite: it maximises the impact of luck. And that’s a good thing. It provides a counterpoint to the league.

Now there are practical reasons why we can’t have a proper European league running in parallel to the domestic leagues, but the Champion’s League does its best to provide something similar: with a seeded group stage and ties played over two games, it maximises the chances that the big names get through to the later stages. Cynically, you might say that’s because the big names pull the big TV audiences; but it does also mean that whoever wins the competition has a good claim to being the best team in Europe.

What Europe needs to complement this ‘league’ is a proper cup competition: the four semifinalists from every national cup competition in Europe being entered into an unseeded cup which is straightforward knockout football from beginning to end. And if Barcelona gets drawn against Manchester United in the first round, well, that’s the luck of the draw. And if Juventus get knocked out in the first round after a flukey goal and a lung-busting defensive performance by a team in the Polish second division: that’s part of the fun.

Of course for this to work, you would need all the top teams to take part. They’d have to play both in the Champion’s League and the new-format UEFA Cup. And that gives you scheduling problems. But if you could find a way to do it — you could exempt teams in the UEFA Cup from having to play in the League Cup, for a start — it would be such a fab competition. Are you listening, Michel Platini?

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  • The moneyball approach applied to basketball, and the specific example of an unflashy but highly effective player. Interesting though I don't know enough about basketball to judge; the same analysis for soccer would be fascinating. via Daring Fireball, I think.
    (del.icio.us tags: basketball statistics )
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Things I have learnt from Twitter

Will Carling punctuates like a fourteen year old girl.

Um… that’s about it.

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