The Bleeding of the Stone is a Libyan novel about Asouf, a Bedouin man living a hermit-like existence out in the desert, herding goats and occasionally guiding foreigners to see the rock paintings on the walls of the wadis.
Asouf has a spiritual relationship with the desert and particularly with an animal called the waddan, the Barbary Sheep*, that lives in the mountains. Two hunters arrive who want him to find the waddan for them, and the book intercuts the story of their interaction and flashbacks to Asouf’s earlier life.
So it’s a book about deserts, and man’s relationship with nature, and spirituality and religion, and environmentalism, and the effects of solitude.
Apart from getting slightly confused by the order of events — careless reading on my part meant I thought something was a flashback when it wasn’t, which made the ending distinctly unexpected — I enjoyed this book a lot. I read it in the garden on an appropriately hot afternoon (hot by South London standards, admittedly, not by Libyan standards), and it was short enough to read pretty much at one sitting. It was atmospheric and rather moving. I think the reference on the back cover to Al-Koni being ‘a master of magical realism’ is a bit peculiar, but I’m willing to forgive it, because I have been guilty myself of describing any novel where anything slightly peculiar happens in a vaguely exotic country as ‘magical realism’.
* The book’s endnotes actually translate waddan as moufflon, but as far as I can gather from Wikipedia this is not strictly accurate; the mouflon is a different species of wild sheep found in Asia. Although the French for Barbary Sheep is mouflon à manchettes (sleeved mouflon, roughly), so it may be an error via French. Incidentally, in one of those classic ironies of environmentalism, the Barbary Sheep which is portrayed in this book as threatened by hunting and is indeed now rare in North Africa, has been introduced for the purposes of hunting to Spain where it is spreading and causing environmental damage.