Tag: Greenland

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Culture

London Film Festival 2012, personal roundup

I do enjoy the LFF: interesting films, cinemas full of largely well-behaved audiences, and no ads or trailers. I went to five films this year, this is what I thought of them. Obviously.

Reality

An Italian film about a Naples fishmonger and petty criminal who becomes dangerously obsessed with appearing on the reality show Big Brother (or, strictly speaking, Grande Fratello). It’s funny and odd and well acted, and it looks terrific, with Naples providing a backdrop of decayed grandeur. I wasn’t completely convinced by the ending, but overall I thought it was really good.

Helter Skelter

A film about a hugely popular model with a dark secret: her looks are entirely produced by a radical, dangerous form of plastic surgery. On one level it’s a satire, but it does the classic exploitation movie thing of supposedly decrying our cultural obsession with youth and beauty while the camera lingers lasciviously on the face and body of the star.

The messaging is clunkingly heavy handed, and it’s stylistically and tonally very uneven, but it was good salacious fun. Personally I think it needed to be even more unapologetically salacious and exploitative; you could surely cut half an hour of the more ponderous stuff to give a tighter focus on the sex, violence and body horror.

Tey [‘Today’]

A Senegalese film about a man who, for reasons which are never explained, knows that he is going to die at the end of the day. Someone has seen it in a vision or something, and it’s somehow an honour, but it’s never made clear: all we know is that he’s not going to wake up the next morning. I don’t know whether this is a cultural trope that a Senegalese audience would find familiar, or if it’s intended to be as strange as it seems to me.

The film is then about what he decides to do with his last day; some of it mundane, some parts more profound, and all of it freighted with extra significance. Odd but quite effective.

Midnight’s Children

The film of what must be Salman Rushdie’s most popular novel, if not his most famous (somehow I don’t think that one is going to be made into a film any time soon).

It started off well, but lost me along the way. It’s a big fat complicated novel that takes place over multiple generations, and the film failed to hold it all together. It didn’t help that for much of the film, a lot of the heavy lifting is being done by child actors. And because the lives of these children, born at the moment of Indian independence, are supposed to parallel modern Indian history, we get that history explained to us with big dollops of expository voiceover.

Overall, though, it just seemed a bit one-paced. And considering the richness of the original novel and the fireworks of Rushdie’s prose, it was just a bit tame and conventional. Perhaps it was a mistake for Rushdie to write the script himself, or perhaps it needed a different director.

Village at the End of the World

An Anglo-Danish documentary about a village in Greenland. It’s a brutal environment, and life is marginal at the best of times, but also they are dealing with the closure of the small fish-processing plant that was their main source of income, and global warming is making the ice treacherous for hunting in winter.

It’s funnier and warmer than that makes it sound, mainly because they found some great characters. And it helps that it just looks amazing: bleak but beautiful, glowing in the summer, and of course completely dark in winter, with just the windows lit up against in the night.

It’s partially an environmental documentary, and partially a film about tensions between tradition and modernity, and a record of a life that will no doubt be very different, again, in a few years time. But above all it’s beautifully made and enjoyable to watch.

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Culture

Across Arctic America by Knud Rasmussen

Across Arctic America: Narrative of the Fifth Thule Expedition is Rasmussen’s account of his 1921 expedition from Greenland to Siberia by dog sled. Or to be exact, his 1921-24 expedition, because this was an epic three year trip. They went a long way — 20,000 miles — but they certainly could have done it faster if it was one of those expeditions done for their own sake. Rather, this was a scholarly expedition; for the first year there were a large group of specialists in different disciplines based in Eastern Canada. Then Rasmussen set off with just two companions, Greenland Eskimos* called Miteq and Anarulunguaq, to continue his anthrolopogical investigations across the whole continent.

puppies

I went to quite a lot of trouble to get this book, but when I received it my heart sank a bit, because it’s fucking huge, the kind of book you could club seals with. I imagined I would be trawling through dry, old-fashioned prose for weeks. Actually it’s an anti-Tardis book, smaller on the inside; it’s a reprint edition, and they’ve obviously enlarged the original print considerably and then surrounded it with lots of white space. It makes for quite a short 400 pages. And the narrative romps along at a very respectable pace; the scientific report of the Fifth Thule Expedition filled ten volumes (not all written by Rasmussen), and his popular account of the trip in Danish was two volumes, which he edited down considerably in translating it into a one-volume English version. So it’s not carrying any excess weight.

Rasmussen’s interest was in comparing the Eskimo cultures from his native Greenland and the various Eskimo groups of North America. I didn’t realise that there was such a cultural continuity across the whole region; Rasmussen’s first language was Greenlandic and he was able to talk with Eskimos all the way across Canada, until finally in one part of Alaska he found some with a dialect sufficiently different from his own that he required an interpreter.

Every wizard has a belt, which often plays a great part in his invocations of the spirits. I was fortunate enough to acquire one of these belts from a woman who was herself a witch doctor, named Kinalik. It consisted of an ordinary strap of hide on which were hung or strung the following items: a splinter from the stock of a gun worn in recognition of the fact that her initiation had taken place by means of visions of death; a piece of sinew thread, which had formerly been used to fasten tent poles with, and had on some occasion or other been used for a magic demonstration; a piece of ribbon from a packet of tobacco; a piece of an old cap formerly beginning to her brother — the brother was now dead, and was one of her helping spirits — a piece of white caribou skin, some plaited withies, a model of a canoe, a caribou’s tooth, a mitten and a scrap of sealskin. All these things possessed magnetic power, by virtue of their being given to her by persons who wished her well. Any gift conveys strength. It need not be great or costly in itself; the intrinsic value of the object is nothing, it is the thought which goes with it that gives strength.

Kinalik was still quite a young woman, very intelligent, kind-hearted, clean and good-looking, and spoke frankly, without reserve. Igjugarjuk was her brother-in-law, and had himself been her instructor in magic. Her own initiation had been severe; she was hung up to some tent poles planted in the snow and left there for five days. It was midwinter, with intense cold and frequent blizzards, but she did not feel the cold, for the spirit protected her. When the five days were at an end, she was taken down and carried into the house, and Igjugarjuk was invited to shoot her, in order that she might attain to intimacy with the supernatural by visions of death. The gun was to be loaded with real powder, but a stone was to be used instead of the leaden bullet, in order that she might still retain connection with earth. Igjugarjuk, in the presence of the assembled villagers, fired the shot, and Kinalik fell to the ground unconscious. On the following morning, just as Igjugarjuk was abou to bring her to life again, she awakened from the swoon unaided. Igjugarjuk asserted that he had shot her through the heart, and that the stone had afterwards been removed and was in the possession of her old mother.

The emphasis of the book is very much on the anthropology; there’s relatively little of the Boys’ Own adventure stuff about what it’s like to travel by dog sled across the Arctic — it’s there, but it’s not the point. He spends far more time talking about his interactions with the locals, relaying songs, folk stories and religious beliefs, talking about hunting techniques, building methods and clothing. All of which I found fascinating. He is keenly observant and clearly has a sympathy with the Eskimo. On the other hand, it’s amazing how much more careful we have become about the language we use in the past hundred years; Rasmussen is about as well-informed, sympathetic and enthusiastic an observer as any people could want, and yet by modern standards there are times when his phrasing comes across as mildly patronising and paternalistic.  I don’t say that as a criticism of him, and I don’t imagine that a modern observer would necessarily be any less patronising in their real attitudes; I just think a modern writer would be very self-conscious about that risk and would bend over backwards to avoid any hint of it.

blizzard

If all this anthropological stuff sounds a bit dry, well, I guess if it’s really not the kind of thing that interests you it might be. But Rasmussen writes well and has a sense of humour, as with this exchange, after he has been told a fable about the Fox and the Wolf:

This seemed an odd sort of ending, and I said as much. “What is it supposed to mean exactly?” I asked.

“H’m, well,” answered Netsit, “we don’t really trouble ourselves so much about the meaning of  story, as long as it is amusing. It is only the white men who must always have reasons and meanings in everything. And that is why our elders always say we should treat white men as children who always want their own way. If they don’t get it, they make no end of a fuss.”

I left it at that.

Across Arctic America is my book from Greenland for the Read The World challenge. I found it absolutely fascinating; it offers a glimpse of a people living in quite extraordinarily harsh conditions at a time when many of them were largely untouched by the modern world.

*Yes, I know, ‘Eskimo’ is no longer the preferred term, but it is the term used by Rasmussen. I considered using Inuit instead, but I for all I know there is some further nuance and I would still end up getting it wrong… so I thought I’d stick to being consistent with the book. No offence is intended.

» The images, ‘Eskimo Puppies‘ and ‘Approaching Blizzard‘, are from a set of cigarette cards called ‘Sights of the Arctic’ which I found in the New York Public Library Digital Gallery.

Categories
Culture

An African in Greenland by Tété-Michel Kpomassie

An African in Greenland is an autobiographical book; as a teenager in Togo, Tété-Michel Kpomassie read a book about Greenland and decided to go there. It took him eight years, working a variety of jobs, to make his way up through West Africa and Europe before eventually arranging a trip to Greenland, where he stayed for about two years (in, if I’ve got my sums right, 1965).

The book’s title implies that there is some kind of different perspective that Kpomassie is going to bring because he’s African, and I have to admit that it was part of the appeal for me when I bought the book. It’s such an immediately striking juxtaposition, this young man from Togo living among the Inuit and eating seal blubber: just the title is like a pitch for a cheesy Hollywood comedy.

In fact, it’s not obvious that his Africanness makes that much difference to the book, after the first couple of chapters that take place in Africa, and in retrospect it’s hard to say what I was expecting, really. There are a couple of occasions where he compares local beliefs (about the travels of the human soul in dreams, for example) with those he grew up with; and his Africanness does make him an instant celebrity in Greenland: the first black person most of them had seen, and several inches taller than most of the locals.

It is, though, an interesting and enjoyable book about Greenland: ice-fishing and dog-sledding and eating of revolting-sounding bits of raw viscera and lumps of animal fat. Whale lung! Boiled sea gull! Yummy. And as with Halldór Laxness in Iceland, endless cups of coffee.

Although actually, I think it’s to his credit that he clearly made a point of eating everything that was put in front of him, and doesn’t spend a lot of time in the book dwelling on the off-putting nature of the food. Perhaps it’s nicer than it sounds; perhaps he just wanted to downplay the potential freak-show aspect of this kind of travel book. He has a fairly clear-eyed view of the harshness of life for many of the people he meets and the social problems he encounters, but he doesn’t dwell on it excessively. Perhaps even more surprising for someone who had travelled for eight years to get there to fulfil a childhood dream, he doesn’t romanticise the country either: not too much of the noble savage stuff.

Here’s a longish passage about life during the time of the midnight sun, with 24 hour daylight:

The oddest thing was that we couldn’t get to sleep any more. To fill in the time I stayed at the school, where I took notes, sometimes until three in the morning. Kield Pedersen, the Danish headmaster, kindly gave me access to the Medelelser of his establishment — many bulky volumes which contained the findings of every piece of research done in Greenland since the days of Hans Egede.

Outside, small orange or red tents sprang up, erected by children whom the endless daylight kept from sleeping. At three in the morning you could still see them playing outside. Sometimes they went on like this for two whole days without going to bed. Eventually they dropped with fatigue, and then might sleep for two days at a stretch. It was the teachers, not the parents, who complained, because most of the time their classes were half empty.

Sleep eluded the adults, too. Everyone was restless. They had hardly set foot indoors before they were longing to go out again, to tramp on and on, to run from hill to hill. They rambled around incessantly, in search of who knows what. All through the spring they’d go wandering like this, building cooking fires in the mountains with three stones for an oven, gathering parnet berries, resting no matter where when tiredness overtook them. both with humans and animals, spring here was the season of tireless frenzies of love. Groups of boys and girls ran laughing and shouting until early morning, and there was the noise of rutting huskies fighting, the deep growls of the males mingling with the bitches’ piercing yelps. The birds sang and the eiders quacked in the creeks.

The landscape seemed excluded from this general harmony, and it changed from day to day. All the filth of Christianshåb was suddenly exposed by the sun’s return and the thaw. Snow melted n the slopes, the street became a river of mud, and innumerable streams riddled the ash-grey earth and brought to light piles of of old bottles and cans, dog shit, household waste, and rotten potatoes. All the garbage which cold and snow had preserved — now swollen with melted water, rotting fast and buzzing with clouds of flies, real flies, come out to haunt us like a bad conscience. Outside the doors and under the foundations, the houses were repulsively filthy. the borrowed coat of spotless white had covered so much offal! A sickening stench hung everywhere. the dogs, some of them now moulting, slunk squalidly about the village. You really wondered whether you were still living in the same land that had once been so clean and white.

An African in Greenland is my book from Togo for the Read The World challenge. Oh, I nearly forgot: it was translated from the French by James Kirkup.

» The photo, Oqaatsut/Rodebay, Greenland, is © kaet44 and used under a CC attribution licence. Rodebay is one of the villages where Kpomassie spent a winter in Greenland.