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Colonial troops in WWII

I found this article in the Independent interesting. There’s a film coming out in France called Indigènes about “the 300,000 Arab and north African soldiers who helped to liberate France in 1944.” Apparently about half the French army in 1944 was African or Arab. The director and producer, both French of North African descent, “hope the film will remind the majority population of France that the country owes a deliberately obscured debt of blood to colonial soldiers with brown and black skins. They also hope the film will persuade young French people of African origin that they belong in France.”

In one respect, the film has already succeeded where years of complaints have failed. Last week, just before it reached the cinema, the French government was shamed into paying belated full pensions to 80,000 surviving ex-colonial soldiers who, since 1959, have been paid a fraction of what French veterans receive.

All of which is quite interesting, but I was mainly struck that the article managed to get all the way through exuding a sense of superiority to those racist French without commenting on the British parallel. There were really quite a lot of colonial troops fighting for the British in the war, most notably the Indian Army, which in WWII was the largest all-volunteer army ever assembled. Unsurprisingly, the Indian Army was important in the Burma campaign, but they also fought in North Africa, the Middle East and Italy. I think I read once that a third of troops at the battle of El-Alamein were Indian. There aren’t too many Indian faces in all those old war films, though, and I really don’t think most British people know anything about their role. And given that the Ghurkas who are current members of the British army still don’t get the same pensions as their British counterparts, it seems a fair bet that Indian veterans of El-Alamein and Monte Cassino don’t either.

This particular blindspot in the British view of history isn’t simply a race thing, of course. Only a minority of the ‘British’ Eighth Army at El-Alamein was actually British; apart from the Indians, there were troops from Australia, Canada, New Zealand, South Africa and Rhodesia; and even a few Free French and Poles. But I only know that because I just looked it up in Wikipedia, and I imagine that most people in this country would have assumed, like me, that the British Army was, basically, British.

Quite apart from the fact that le fairplay demands these things be better known, the French example makes me think – there must be a good film in this somewhere. Or novel. Or even poem, at a pinch.

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the clean, dry corpse of a parrot

From Robert Graves’ Goodbye to All That:

24 June, 1915, Versailles. This afternoon we had a cricket match, officers v. sergeants, in an enclosure between some houses out of observation from the enemy. Our front line is three-quarters of a mile away. I made top score, 24; the bat was a bit of a rafter, the ball a piece of rag tied with string; and the wicket a parrot-cage with the clean, dry corpse of a parrot inside. Machine gun fire broke up the match.

I read the Graves at school, but I’d forgotten that little gem. I found it in A Social History of English Cricket by Derek Birley, a book which I’m finding more entertaining than the slightly dry title would suggest. It would also make an excellent choice for the list of books to explain England, since all the social changes of the past 250 years have been reflected in the development of cricket. The class system is especially well represented. Although it does contain an awful lot of cricket anecdotes which might be a bit impenetrable to our notional foreigner.

Thinking about Englishness lead me to re-read My Five Cambridge Friends by Yuri Modin, who was the KGB handler of the Cambridge Five. It really is the most extraordinary story. Having started with an Englishman playing cricket behind the lines in WWI, let’s end with another posh chap maintaining his Englishness in difficult circumstances:

I know that Philby didn’t much care for the character in The Human Factor who is supposed to be modelled on him, a whining fool who ekes out his days in a Moscow hovel. His own circumstances were totally different, what with his huge apartment, his magnificent view, the copies of The Times, Le Monde and the Herald Tribune to which he had subscribed, the videotapes of cricket test matches and the pots of Cooper’s Oxford marmalade sent from London.

We really are caricatures of ourselves sometimes.

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FSotW: Tyneham – the village that died for D-Day

Flickr set of the week is Tyneham – the village that died for D-Day by Whipper_snapper.

‘In 1943 the War Department closed Tyneham village near Lulworth in Dorset for D-Day training preparations.

The villagers never returned as the War Department kept the village as a post-war training area and tank artillery range for nearby Lulworth and Bovington camps.

Today most of the buildings are gaunt and empty, like a war zone, but the Army does allow visitors to return to the village on a regular basis.’

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Africa in the news

Or rather, Africa not in the news. I have to admit, I haven’t been in news-junkie mode recently, but how did I miss this?

This week we bring you music from the Democratic Republic of Congo to recognize the incredible moment in history we are witnessing. In the largest UN overseen election in history, 58 million Congolese citizens will choose their elected leaders for the first time in 46 years! With over 33 candidates for president and 9,500 people running for 500 legislative seats the ballots are sure to be long, just finding your candidate will be a challenge.

The reason it’s a big deal is not just that a previously undemocratic country is going to try to become a democracy. It’s that between 1996 and 2003, the DRC was the scene of a brutal and long-running war, triggered by the Rwandan genocide, in which about 4 million people are estimated to have died. Nine nations were directly involved.

I’ve read a few people recently try to make some kind of rhetorical point by comparing the amount of media attention that the Middle East gets with the coverage of Darfur. But the truth is that if anything, before the West got bored with it, Darfur got an unusually large amount of attention for an African conflict. After all, Sudan has been in a state of civil war for most of the time since independence in 1956, but that hasn’t spent much time in the papers.

I’m not claiming any personal virtue here – if you’d asked me, I probably would have said that Congo was still at war, even though the war formally ended in 2003. I only learned differently via the quote above, which is from Calabash. And I had to get all my information about the war from Wikipedia. Anyway. Fingers crossed that Central Africa is on an upward path.

And a plug for Calabash. They describe themselves as ‘The World’s First Fair Trade Music Company’, and they’re a great source for world music. Calabash offers regular free singles for download.

To mark the election we give you ‘Ba Kristo’, from Kekele’s hot new album “Kinavana”. By paying homage to the Cuban composer Guillermo Portabales, the album brings the two countries together across the black atlantic in the most joyous and musical of ways. ‘Ba Kristo’ is based on the music of Portabales’ song “El Carretero”, but instead of telling a wagoner’s tale it denounces the efforts of evangelical churches in Africa to ban all music that is not Christian.

I’ve got some great music from them, and I can definitely recommend the latest free single. I think I’ll buy the album. Songs are 99¢ each, but note that you can save money by buying 20 song credits for $14.99 – i.e. 75¢ each.