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We Are At War by Simon Garfield

This is one of a trilogy of books using material from the Mass-Observation archives. To quote Wikipedia:

Mass-Observation was a United Kingdom social research organisation founded in 1937. Their work ended in the mid 1950s … Mass-Observation aimed to record everyday life in Britain through a panel of around 500 untrained volunteer observers who either maintained diaries or replied to open-ended questionnaires.

We Are At War is an account of the period from August 1939 to about the start of the Blitz, compiled from the diaries of five M-O participants. It’s a simple idea and it works brilliantly. The diaries combine the texture of everyday life—people write about the weather or what’s on the radio—with the backdrop of great events happening in Europe.

barrage balloon

[photo from the Museum of London picture library]

People’s moods—not just the diarists, but their workmates and family—are one of the most interesting things: swings between optimism and pessimism about the war, including, in the early stages, whether it was even going to happen; the stress of expecting air raids for months before they actually start happening; endless gossip about German spies supposedly having been arrested after committing some faux pas to reveal their identity; a distrust of official news and an uneasy fascination with listening to Lord Haw-Haw.

One thing that’s noticeable is a gradual hardening of attitudes towards the Germans; initially people try to maintain some kind of distinction between the Nazis and the German people, and express some kind of regret at news of German casualties, but they get increasingly ruthless as time goes on and British casualties rise.

I could quote almost any chunk of this book; but this will do, from February 1940 in Glasgow:

Recently Miss Crawford saw a notice in a fish shop: ‘Fish cheap today.’ On looking closer she found the stock consisted of a few pieces of sole at 3s 4d. Since the war broke out I have stopped looking at the fish shops for I know the prices would be too high. It transpires that practically everyone has ceased to eat fish, but the price is not the sole cause. Miss Carswell said she could not bear to eat fish because she remembered what perils the fisherman had been through to get it. Then she continued that she could not bear to eat fish in case they had been feeding on all the dead bodies. Her mother had offered her tinned salmon. ‘for that had been canned before the war began’.

(As usual, this review has also been posted to my recently read books section.)

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Since you ask…

Rob asks:

I haven’t read Christopher Hitchens’s book – yet another book attempting to discredit religion and argue that there is no God (is anyone bored yet?)

Well, let’s see. A Pakistani government minister has just suggested that Salman Rushdie’s knighthood justifies suicide bombings. A creationist museum has just opened in Kentucky. The Catholic church has just told its members to stop supporting Amnesty International because they support the decriminalisation of abortion. And Hamas has just taken control of the Gaza strip.

I don’t think the subject has been exhausted quite yet.

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Welcome to a Golden Age

Apparently someone has declared that poetry is dead again. Or still dead.

As a critical stance this lacks originality, but never mind. I’m just surprised anyone thinks they can tell. Looking back at the canon, the total difference between a Golden Age Of Poetry and a leaden one is two or three great poets who happen to live at the same time. And if you think you can tell whether any of the dozens of good poets currently writing will be regarded as great in 50 years time, let alone 100: you’re kidding yourself. Even if none of the established names make the cut, those three poets might be starting their careers somewhere right now. Perhaps they are recent graduates of one of those MFA programs that always seem to be one of the targets of these essays.

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