Tag: novels

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Basti by Intizar Husain

This is a Pakistani novel from 1979, set during Bangladesh’s war of independence from Pakistan, but with lots of flashbacks — to a pre-Partition life in India, to Partition and the migration to Pakistan — and dreams going further back still, to India’s First War of Independence.*

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The earliest scenes of pre-Partition India are seen, through a child’s eyes, as idyllically multicultural, which makes Partition a sort of fall from grace. Partially that’s just the contrast between the innocence of the child and the cynicism of the adult; but there is a sense reading the book of a great deal of political and ideological energy being expended and great changes being achieved, and none of it making life appreciably better.

Politics aside, it’s just a very well-written novel (hat-tip to Frances W. Pritchett for the translation). As well as the flashbacks, parts of it are in the form of letters, diary entries and dreams. The result is atmospheric and impressionistic, and occasionally confusing, especially for those of us who don’t have the cultural context. But it has a very strong sense of place, a great eye for detail, well-drawn characters and natural-sounding dialogue.

This is the second book from Pakistan I’ve read for the Read The World challenge; I felt I ought to be able to do better than the last one (Kartography by Kamila Shamsie), which was fine but nothing special. Basti is a definite improvement.

*i.e. the Indian Mutiny/Rebellion/Revolt of 1857.

» The photo of the Tomb of Bibi Jawindi is from Wikipedia; it’s by Shah zaman baloch and used under a CC by-sa licence.

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Culture

War with the Newts by Karel Čapek

This is satirical science fiction from 1936, about the discovery of a species of intelligent amphibian living in the sea next to a small island near Sumatra. The ‘newts’ are exploited and traded, initially as pearl fishers and then as cheap labour on massive marine construction projects, until they are present in huge numbers all around the world; and then — spoilers, I guess, but the clue’s in the title — they start fighting back.

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I bought it because it was recommended on the Book Shambles podcast, but even so it turned out to be much more entertaining and readable than I expected. The satire is not as focussed as, say, Nineteen Eighty-Four; the biggest targets are colonialism and racism, with the trade in newts modelled on the slave trade, but along the way it takes pot shots at nationalism, capitalism, fascism, Hollywood, newspapers, scientists and much else.

I read the Robert and Marie Weatherall translation from 1936; I certainly enjoyed it, although Wikipedia suggests that the more recent Ewald Osers version is more highly regarded.

I did already have the Czech Republic ticked off for the Read The World challenge when I started — I’ve read Kafka and Hašek and whatnot — but this is the first Czech book I’ve read since then, probably.

» The photo is a tweaked version of ‘Hellbender at the National Zoo, Reptile Discovery Center’, © Brian Gratwicke and used under a CC-by licence.

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Culture

The Palace of Dreams by Ismail Kadare

This is a novel written in communist Albania in 1981 but set in a fictionalised version of the Ottoman Empire in, I guess, the late 19th century. The protagonist, Mark-Alem, is from a family, the Quprilis, who are originally Albanian but are living in Istanbul and are prominent, powerful players within the Ottoman Empire.

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The book follows his career working at the Tabir Sarrail — the Palace of Dreams — a huge office devoted to collecting, sifting and interpreting the dreams of people from all across the empire. Once a week, a single dream is chosen as the Master-Dream and delivered to the Sultan, along with its interpretation.

“The world has long recognised the importance of dreams, and the rôle they play in anticipating the fates of countries and of the people who govern them. You have certainly heard of the Oracle of Delphi in ancient Greece, and of the famous soothsayers of Rome, Assyria, Persia, Mongolia, and so on. […] Now this long tradition undoubtedly has its own importance, but it pales into insignificance beside the operations of the Tabir Sarrail. Our imperial State is the first in the history of the world to have institutionalized the interpretation of dreams, and so to have brought it to such a high degree of perfection.” […]

“The task of our Palace of Dreams, which was created directly by the reigning Sultan, is to classify and examine not the isolated dreams od certain individuals — such as those who in the past were for one reason or another granted the privilege, and who in practice enjoyed the monopoly, of prediction through the interpretation of divine omens — but the ‘Tabir’ as a whole: in other words, all the dreams of all citizens without exception.”

The Palace of Dreams was apparently banned in Albania on publication, and you can see why. As a piece of political commentary, it is necessarily somewhat oblique, as this quote from Kadare points out: “dissidence was a position no one could occupy, even for a few days, without facing the firing squad. On the other hand, my books themselves constitute a very obvious form of resistance”. Still, the vision of a government trying to reach right into the minds of all its subjects, of a huge sprawling bureaucracy devoted to tracking and recording people’s thoughts, the brutal interrogation of people who are unlucky enough to have ‘significant’ dreams, and the way the process is undertaken with great seriousness but seems to be completely arbitrary: it’s a pretty good metaphor for a totalitarian government.

I find it quite hard to think of this as a book written in my lifetime; it’s not just the setting, but tone and style.  The most obvious comparison would be Kafka — there are descriptions of getting lost in the corridors of the Tabir Sarrail which are particularly reminiscent — but also someone like Bruno Schulz, perhaps. Early/mid C20th, anyway. Although this edition, which I picked up in a second-hand shop, was translated from the Albanian via the French, so I don’t know how that may have affected the nuances.

Still, it’s a striking fable. It’s very much built around one central concept, but it’s short enough that that’s not a problem.

The Palace of Dreams is my book from Albania for the Read The World challenge.

» The postcard is, as the caption says, of the central post office in Istanbul. Which is at least a big Ottoman bureaucratic building. I found it via Ottoman Imperial Archives on Flickr. 

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Culture

Remnants: The Way of the Womb by Hagop Oshagan

This is my book from Armenia for the Read The World challenge. Oshagan was born in 1883 in what is now Turkey — then the Ottoman Empire — and this novel is set in the Armenian community in Turkey before the genocide. ‘The Way of the Womb’ is actually just the first volume of a three volume novel; the third, unfinished volume tells the story of the genocide itself.

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The Way of the Womb works well enough as a stand-alone novel, but obviously it would be a very different experience to read the whole work. Even without any explicit references to the approaching horrors, the context is unavoidable. It creates both dark foreshadowing and an elegiac note for a lost world. Not that Oshagan presents the lost Turkish-Armenian life as a golden idyll — his characters are feuding and manipulative — but there’s a certain amount of stuff about straight-limbed, strong Armenian youths living simple, honest lives among the olive groves, contrasting with an (understandably bitter) representation of weaker, more degenerate Turks.

This volume tells the story of a woman who, desperate to produce a grandson to continue the family name, is scheming to persuade her daughter-in-law to sleep with the hired help. That is used as a framing device to look back at the history of her family, the Nalbandians; once wealthy and powerful, built up by one man, Hajji* Artin, and in terminal decline in the generations after his death.

I would like to be more enthusiastic about this book. The story itself, the characters, and the setting, are striking and interesting. But reading it was really hard work. The prose is quite dense and difficult anyway; I often found myself having to reread sentences several times. But it is made much harder by a lack of white space. The framing story has some pretty long paragraphs, but at least it’s frequently broken up by dialogue. The flashback to tell the story of the Nalbandians is 60 pages without a single paragraph break. 60 pages! I assume that’s a reflection of the original Armenian, but it was a real struggle to get through it.

It’s a pity. I can see why this is an important book for Armenians, and there really were things I liked about it; but it was just too much of a chore. It’s possible that’s the fault of the translation, rather than the original text… but either way, I won’t be picking up the next two volumes, if they get translated. For once I can see the appeal of a Reader’s Digest Condensed version, just for sake of the story, if anyone feels like producing one.

* ‘Hajji’ is obviously a term they picked up from their muslim neighbours, but in their case it was apparently used to refer to someone who had made the pilgrimage to Jerusalem.

» The photo is of the Armenian Cathedral of the Holy Cross on Akdamar Island, Turkey. It was abandoned at the time of the genocide; it was restored and reopened as a museum in 2007. The photo is © Adam Jones and used under a CC by-sa licence.

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Culture

The Colonel by Mahmoud Dowlatabadi

Gosh, this book is grim. It starts with the colonel being summoned from his house in the middle of a rainy night to collect the tortured body of his daughter from the secret police, and he is told to bury her before daybreak to avoid any kind of attention.

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The story of that night and the following day is combined with flashbacks, and we learn of one child after another lost to violence: being tortured by the Shah’s regime or the Islamic Republic, or dying in the Iran/Iraq War. Each of his children belongs to, and represents, a different political movement: different flavours of communism and Islamism. But they all fall foul of the government sooner or later, as the political tides change. Except, I guess, for the one who dies in the war, who is celebrated as a martyr — but is no less dead.

I don’t know enough about the politics of Iran in the 70s and 80s, so the historically specific detail is lost on me, but it still works as a portrayal of a country suffering political turmoil and violent repression. Certainly an effective novel, if not an enjoyable one.

» The photo is of ‘the acoustic ceiling of the rooftop music room of the Ali Qapu Palace in Isfahan, Iran’. Not particularly thematically apt, but it’s a nice picture. © David Stanley and used under a CC-by licence.

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Culture

Down the Rabbit Hole by Juan Pablo Villalobos

I picked this up because it was around the house and I was looking for something to read, but it turns out the author is from Mexico, so I guess it’s my book from Mexico for the Read The World challenge.

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This is a very short novel — 67 pages — narrated by Tochtli*, the young son of a drug dealer. He lives entirely surrounded by adults — a maid, a cook, two armed guards and a tutor — all of whom indulge his eccentricities out of fear of his terrifying violent father. He has a collection of hats and a desire to own a pygmy hippopotamus to go with his father’s various exotic animals, including two tigers.† The story really is of a child’s mind being warped by his surroundings; by his father’s lessons about how to be macho, and above all to avoid being ‘a faggot’, by his conversations with his father about how many shots it would take a to kill a man in different parts of the body, and by the evidence of corruption and sex and violence around him.

So at the start, although it’s disturbing the way he parrots his father, he still seems rather innocent; by the end you are wondering if it’s already too late for him, if he’s damaged beyond repair.

Having this horrible situation told in a child’s voice is an effective and creepy device. It’s also genuinely funny in a dark grotesque way. I enjoyed it.

*‘Tochtli’ is the word for rabbit in Nahuatl, and all the Mexican characters have Nahuatl animal names; so the father is called Yolcaut, ‘rattlesnake’, and so on.

† Hippopotamus is, somewhat famously, now an invasive species in Colombia after some escaped from the ranch of the drug baron Pablo Escobar.

» The photo is of the original entrance to Pablo Escobar’s hacienda. The plane is a replica of the one Escobar used to carry his first shipment of cocaine to the US. The hacienda is now a theme park; you can see the entrance in the background. “Pórtico Hacienda Nápoles” by XalD – Own work. Licensed under CC BY 3.0 via Wikimedia Commons.