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The Cherry Orchard at the Old Vic

As part of a joint Anglo-American project with the Brooklyn Academy of Music, the Old Vic is currently running two plays in parallel with the same cast in both: The Winter’s Tale and The Cherry Orchard. It’s a fairly starry enterprise, directed by Sam Mendes, with acting from Simon Russell Beale, Sinead Cusack, Ethan Hawke and so on; even the text of the Cherry Orchard is a new translation by Tom Stoppard.

I’d never actually seen or read The Cherry Orchard — or indeed any other Chekhov; quite a few of my most embarrassing cultural ignorances are related to drama — so it was interesting to go to it without any very specific preconceptions. Would I have guessed from watching it that it was one of the most-performed classics by one of the great dramatists? Short answer: um, no, but I don’t necessarily blame that on the play.

I do think the play feels quite dated. In one sense, of course, as a Russian play from 1904, it was dated pretty rapidly by events. The central social dynamic of the play, of a declining aristocracy and a rising merchant class, seems trivial compared to the changes brought by the Revolution. But more generally — stylistically, I guess — it feels like a bit of a period piece. It should not, I suppose, come as a surprise that a play which is over a hundred years old feels, um, old, and I’m quite certain that it will have aged better than most of its contemporaries, but there you go.

But I don’t think it was helped by the production, which also felt a bit old-fashioned but has less excuse for it. There were a few too many pregnant pauses, some slightly manipulative atmospheric musical effects, and a general sense of actors struggling to bring the material to life. I’m sure they’re all talented actors — my sister saw the other production, The Winter’s Tale, and said it was brilliant — but it all felt a bit self-conscious. Maybe they were just having a bad day.

» Obviously the photo doesn’t have much connection to Chekhov, I just thought it was cute. ezra-cherries-driveway is © Jeremy Hiebert and used under a CC by-nc licence.

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The Earth: An Intimate History by Richard Fortey

The Earth: An Intimate History is big, fat (480 page) book about geology. Richard Fortey writes extremely well and it’s an impressive attempt to make a fairly dense subject exciting.

I have to admit though I nearly didn’t finish it; by about halfway though I’d had about as much as I could take of schist, gneiss, nappes and the endless litany of different places, geological periods and minerals that every new page seemed to require. So I put it down for a few weeks.

But eventually I built up the willpower to finish it off, and I’m glad I did; there’s plenty of interesting stuff in there, like the fact that the rocks of England and Scotland were formed on different sides of the Atlantic — or at least a previous ocean that lay between previous versions of Europe and America. Or the fact that in university laboratories, geologists have built vast machines that can squeeze minute samples of rock to the point where they mimic the temperatures and pressures found hundreds of kilometres below the earth’s surface.

» The Grand Canyon is possibly a rather unoriginal choice of photo to illustrate geology, but wotthehell, it’s relevant and looks spectacular. Couleurs de la Terre / Colours of the Earth is © Olibac and used under a CC by-nc-nd license.

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New new cat news

A second new cat, to keep Dolly company; introducing Oscar:

Oscar

The company-keeping theory isn’t actually working very well at the moment — there’s a lot of hissing and growling going on — but hopefully they’ll get used to each other soon enough.