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Culture Nature

Cutting up books

I’m going to the Galapagos and Ecuador on Friday. Or at least, on Friday I’ll only get as far as Quito, but the next day we go on to the Galapagos, and after that, back to mainland Ecuador for a bit. My copy of the ‘field guide’ to the birds of Ecuador was so heavy that I’ve resorted to drastic measures. Especially drastic since those who’ve ever borrowed a book from me could tell you that I’m completely anal about their condition — I like to read them in such a way that afterwards they still look new.

But I cut out the colour plates:

And did an amateurish but hopefully good enough version of re-binding with PVA glue, cardboard and sticky-backed plastic:

I’ll take both ‘books’ with me, but leave the bigger one in the hotel. I should probably point out that the fact the book is really heavy is no fault of the authors, who seem to have done a brilliant job. There are just too many species; ‘nearly 1600’ in Ecuador, apparently, which puts it in competition with Bolivia and Brazil for country with the most bird species in the world.

And cutting out the plates isn’t an original idea to me, either; it’s standard practice for birders travelling to South America. The region is such a wonderland of biodiversity that even birders aren’t OCD enough about it to risk spinal damage.

Categories
Nature

Heron

I just watched a heron catch and eat a frog from the garden pond. The presence of the heron isn’t unusual, but they’re generally both shy and uncannily good at spotting people, even through glass and at some distance. It took it some time to eat the frog — presumably mainly because frogs are quite an awkward shape, especially if you only have a beak to control them with — and several times the heron dipped it into the pond. I’m tempted to say ‘washed it in the pond’ but perhaps that’s not what’s going on. After all, the frog just came out of the same bit of water, so it doesn’t obviously need washing. Perhaps they just wash all their prey habitually? Or perhaps wet frogs are easier to swallow? I don’t know.

Categories
Culture Nature

Modigliani at the RA

I went to see Modigliani and his models at the Royal Academy today. In a sense, there was nothing very surprising about the exhibition since Amedeo Modigliani only really seems to have painted rather stylised portaits and very pink nudes, including this one of Joan Collins from 1917:

It (she?) looked pinker in real life.

The stylised portraiture is intriguing, because although the basic characteristics were fairly consistent — long neck, rounded shoulders, elongated face — and the paintings all have the Modigliani look about them, the overall effect varied considerably. Some came across as caricature, including this one:

Others have a rather impersonal quality that suggests that the particular model is almost irrelevant, that the subject is just a generic woman. This portrait of his lover/common law wife, Jeanne Hébuterne, seems to me to tend to fall into that category, although not as much as some of his other pictures of her:

To get a sense of how stylised the portraits are, this is a photo of Jeanne Hébuterne:

Many of the portraits did manage to look like portraits — like they showed a real personality rather than a caricature or a blank —but I didn’t note down any titles in the exhibition and haven’t managed to track down good pictures on the web to use in this post. Which is a bit unfair on Amedeo, but them’s the breaks. I did enjoy the exhibition; the best of the paintings have a real presence to them, and they’re never less than likeable.

The most intriguing of his stylisations is perhaps the blank eyes. Some of his portraits have irises, but most have blank eyes. I can only guess that he chose to leave the eyes blank because otherwise they were too distracting. In that sense they unbalance a portrait.

In Green Park (the nearest tube station) I was amused to see that someone had scratched out the eyes on a movie poster in what I would like to believe was a reference to Modigliani, but was probably just because they were bored. I didn’t have a camera, but here’s a reconstruction:

And finally, a bonus picutre. When googling Modigliani, I discovered Cyclommatus modigliani:

I assume the beetle is named after some other Modigliani — an entomological relative — but you never know, perhaps it was named by an art-loving beetlist.

Categories
Nature Other

FSotW: Digital Dendrology

Sorry, I forgot yesterday, so Flickr set of the week is a day late, but worth waiting for. It’s the remarkable Digital Dendrology by phyredesign.

“I’m fascinated by how things are structured in nature. This year, I have begun taking samples from the branches I collect, and preparing slides for viewing under a microscope. After identifying the type of tree to which the branch belongs, I use a digital camera attachment on my microscope to photograph the samples. Piecing together over fifty photographs for each sample, each final image is a 100x magnification of a glimpse of life not seen by the human eye alone. They become abstract structures reminiscent of any number of things.”

White Mulberry:

Unidentified:

Categories
Nature

Toadstools

Toadstools that appeared where the neighbours had to remove an old tree. I think they’re probably Coprinus cinereus, which apparently tend to turn up in manure, so I’m guessing they dug some manure into the soil. There’s a couple more shots on Flickr.

Categories
Nature Other

Crappy journalism in action

I nearly posted a link to this story on the BBC website about cows having regional accents because I thought it was mildly interesting. But the internet linguistics police quickly debunked it.

The BBC story starts by saying “Cows have regional accents like humans, language specialists have suggested.” What actually happened was that a PR firm working for a cheese manufacturer had called a couple of linguists and asked them whether there was any possibility that cows’ moos varied geographically. The answer was something like “well, it seems very unlikely, but it’s not completely impossible, because regional ‘accents’ have been observed in birds”.

Now I don’t particularly blame the cheese people’s people. They’re a PR firm. Spinning the truth is what they do. Trading on other people’s professional authority while misrepresenting what they actually said isn’t exactly attractive behaviour, but they’re salespeople and they are open about the fact that they’re selling you something. And to be fair, the original press release clearly bases its claims only on what the farmers have said. It’s not claiming to be any more than anecdotal.

But I do blame the BBC. They are the ones who reported this as a news story on their science pages, and who failed to call the linguists in question for a bit of fact-checking. They’ve actually made it worse by cutting out all the references to the West Country Farmhouse Cheesemakers. That’s presumably because they aren’t supposed to be providing advertising for anyone, but the result is that they’ve cut out any indication that the story is based on a press release put out by the PR firm for a dairy company, rather than, oh I don’t know, a paper in a scientific journal.

You’re probably thinking “chill out, Harry, it’s only a silly story about cows having accents”. And that’s probably what the BBC would say in their defence. Well, fuck that. I know that the fate of nations doesn’t hang on it, but if something is reported as news, I want them to have made the basic minimum of effort to report it correctly. Otherwise, why bother?

It’s typical of the media’s approach to reporting science. Or indeed just about any subject outside politics. They get all up their own arses about the importance of their role as protectors of democracy and speakers of truth to power, and the seriousness and integrity of their political journalism. And on their better days, all that stuff is true. But the moment they report on science, there’s a feeling that well, no-one can be expected to understand the technical details, so it’s alright to provide a watered-down and simplistic version; and anyway, it’s not very important like the political stuff (as though most political journalism was any more than gossip), so as long as it’s mildly entertaining, who cares if it’s really accurate? And then because that’s their attitude, they get all surprised when people like me get annoyed by it, because it’s ‘just’ a silly season story about cows, and surely people are media-savvy enough to know that it may not be held to the same standards as their political reporting?

Well, no. I actually care about the truth of these stories. Even the cow story; if it’s true, it’s interesting. If it’s not true, it’s just a waste of my time. I really feel quite strongly that if they’re going to do science and health reporting, they should do it properly. At the most basic level: if they get a press release about a piece of scientific research, they should call the scientists involved and make sure they don’t misrepresent them. And if it appears to be making an outlandish or controversial claim, call someone who can be expected to know about the subject and check with them. Otherwise just stop it. Stop reporting about science altogether if you can’t be bothered to get it right.

And if you think they’re more reliable when the subject, instead of cow accents, is something vitally important like vaccinations causing autism: *hollow laugh*