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An African in Greenland by Tété-Michel Kpomassie

An African in Greenland is an autobiographical book; as a teenager in Togo, Tété-Michel Kpomassie read a book about Greenland and decided to go there. It took him eight years, working a variety of jobs, to make his way up through West Africa and Europe before eventually arranging a trip to Greenland, where he stayed for about two years (in, if I’ve got my sums right, 1965).

The book’s title implies that there is some kind of different perspective that Kpomassie is going to bring because he’s African, and I have to admit that it was part of the appeal for me when I bought the book. It’s such an immediately striking juxtaposition, this young man from Togo living among the Inuit and eating seal blubber: just the title is like a pitch for a cheesy Hollywood comedy.

In fact, it’s not obvious that his Africanness makes that much difference to the book, after the first couple of chapters that take place in Africa, and in retrospect it’s hard to say what I was expecting, really. There are a couple of occasions where he compares local beliefs (about the travels of the human soul in dreams, for example) with those he grew up with; and his Africanness does make him an instant celebrity in Greenland: the first black person most of them had seen, and several inches taller than most of the locals.

It is, though, an interesting and enjoyable book about Greenland: ice-fishing and dog-sledding and eating of revolting-sounding bits of raw viscera and lumps of animal fat. Whale lung! Boiled sea gull! Yummy. And as with Halldór Laxness in Iceland, endless cups of coffee.

Although actually, I think it’s to his credit that he clearly made a point of eating everything that was put in front of him, and doesn’t spend a lot of time in the book dwelling on the off-putting nature of the food. Perhaps it’s nicer than it sounds; perhaps he just wanted to downplay the potential freak-show aspect of this kind of travel book. He has a fairly clear-eyed view of the harshness of life for many of the people he meets and the social problems he encounters, but he doesn’t dwell on it excessively. Perhaps even more surprising for someone who had travelled for eight years to get there to fulfil a childhood dream, he doesn’t romanticise the country either: not too much of the noble savage stuff.

Here’s a longish passage about life during the time of the midnight sun, with 24 hour daylight:

The oddest thing was that we couldn’t get to sleep any more. To fill in the time I stayed at the school, where I took notes, sometimes until three in the morning. Kield Pedersen, the Danish headmaster, kindly gave me access to the Medelelser of his establishment — many bulky volumes which contained the findings of every piece of research done in Greenland since the days of Hans Egede.

Outside, small orange or red tents sprang up, erected by children whom the endless daylight kept from sleeping. At three in the morning you could still see them playing outside. Sometimes they went on like this for two whole days without going to bed. Eventually they dropped with fatigue, and then might sleep for two days at a stretch. It was the teachers, not the parents, who complained, because most of the time their classes were half empty.

Sleep eluded the adults, too. Everyone was restless. They had hardly set foot indoors before they were longing to go out again, to tramp on and on, to run from hill to hill. They rambled around incessantly, in search of who knows what. All through the spring they’d go wandering like this, building cooking fires in the mountains with three stones for an oven, gathering parnet berries, resting no matter where when tiredness overtook them. both with humans and animals, spring here was the season of tireless frenzies of love. Groups of boys and girls ran laughing and shouting until early morning, and there was the noise of rutting huskies fighting, the deep growls of the males mingling with the bitches’ piercing yelps. The birds sang and the eiders quacked in the creeks.

The landscape seemed excluded from this general harmony, and it changed from day to day. All the filth of Christianshåb was suddenly exposed by the sun’s return and the thaw. Snow melted n the slopes, the street became a river of mud, and innumerable streams riddled the ash-grey earth and brought to light piles of of old bottles and cans, dog shit, household waste, and rotten potatoes. All the garbage which cold and snow had preserved — now swollen with melted water, rotting fast and buzzing with clouds of flies, real flies, come out to haunt us like a bad conscience. Outside the doors and under the foundations, the houses were repulsively filthy. the borrowed coat of spotless white had covered so much offal! A sickening stench hung everywhere. the dogs, some of them now moulting, slunk squalidly about the village. You really wondered whether you were still living in the same land that had once been so clean and white.

An African in Greenland is my book from Togo for the Read The World challenge. Oh, I nearly forgot: it was translated from the French by James Kirkup.

» The photo, Oqaatsut/Rodebay, Greenland, is © kaet44 and used under a CC attribution licence. Rodebay is one of the villages where Kpomassie spent a winter in Greenland.

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Culture

Told by Starlight in Chad by Joseph Brahim Seid

Told by Starlight in Chad is a collection of stories by Chadian writer Joseph Brahim Seid, translated from French by Karen Haire Hoenig. I’ve tagged this post with ‘short stories’ but they aren’t really short stories in the literary tradition: they are fables or folk tales in the oral tradition. I’m not sure whether they are all traditional stories or new ones, or how true they are to the way the stories might be ‘told by starlight’.

In some ways the material seems very familiar — wicked stepmothers, magic purses, and beautiful princesses — although the stories feature hyenas and gazelles rather than foxes and rabbits. Sometimes the stories end with a moral or an explanation of the ‘and that’s why we do so-and-so’ type, and sometimes they are, as far as I can tell, just stories.

Just to give you an idea of the style, here’s the opening to a story called Bidi-Camoun, Tchourouma’s Horse.

A very long time ago, in the days when miracles and wonders were still common among us, a little prince was born in the kingdom of Lake Fitri. Tchourouma was his name; noone knew the reason why. His father loved him dearly and his mother adored him. At a very young age, they had given him as a gift Bidi-Camoun, a splendid chestnut horse. When Tchourouma had barely reached his fifteenth year, his gentle mother died, snatched away by a cruel disease in her chest, which neither the skill of the fakihs, the fetish doctors nor the Bulala witchdoctors could cure. In memory of his beloved wife, the Sultan retained a great deal of affection for the child. He took him lion hunting and on walks around the lake which is the sanctuary of the ancestral spirits and the safeguard of the kingdom. Devoured with envy by the King’s great fondness for his son, the women of the harem devised plots to kill the child….

All quite interesting and quite enjoyable, though I can’t say I was completely grabbed by it. Told by Starlight in Chad is my book from Chad for the Read The World challenge.

» The picture of rock art in Chad, “Round head” paintings, is © Franck Zecchin and used under a by-nc-sa licence.

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Culture

Waiting for the Wild Beasts to Vote by Ahmadou Kourouma

Waiting for the Wild Beasts to Vote is the life story of President Koyaga, the dictator of the (fictional) République du Golfe, as told to him by his court storyteller Bingo.

Bingo is in some ways the ultimate unreliable narrator, portraying Koyaga as a heroic, semi-mythical figure protected by powerful magic, but he is accompanied by an apprentice whose role is to speak truth to power. The result is a portrayal of post-colonial African politics which is brutal, and darkly comic.

It has the sprawling rhythms of oral storytelling, with its repetitions and parallelism, which makes it difficult to pick an excerpt which does it justice and is short enough for me to type out. But this will do: it’s a part of an account of Koyaga’s triumphal march across the country after surviving a coup.

At the entrance to a far-off village, the hunters take the initiative of offering you — since you are a sinbo, a donsoba (a master hunter) —  the shoulder of a slaughtered bubale. At the next village there are shoulders, haunches, heads. At the village after that, there is a stinking mound of animal carcasses of every species: deer, monkeys, even elephants. Above the pile, the canopy of trees is black with vultures. In the sky, carrion birds attack each other with terrifying cries. Packs of hyenas, lycaons, lions follow and threaten.

The order is given that hunters should no longer offer you the shoulders of game killed by the hunters that week, need not gratify the master hunter who is their guest as their code of brotherhood demands.

In another village, to set itself apart, the sacrificial  priest does not stop at two chickens and a goat, he offers four chickens, two goats and an ox to the manes of the ancestors. The sacrificial priests in neighbouring villages follow suit, they outdo him, they go too far. Soon there are twenty oxen and as many goats and forty chickens. The sacrifice becomes interminable, it is a veritable hecatomb. A call goes out for a limit to be set on the number of sacrificial victims.

Waiting for the Wild Beasts to Vote is my book from Côte d’Ivoire for the Read The World challenge.

» The picture, Sarakawa Crash Site, Togo, is © Julius Cruickshank and used under a CC attribution licence. Julius explains:

“A huge monument built in the middle of nowhere to celebrate a plane crash that the dictator of Togo survived in the seventies. The photos at the base of the statue (donated by the people of North Korea) are Eyadéma’s generals that died. 

The only other visitors were the goats on the left…”

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Culture

The Wah-Wah Diaries by Richard E. Grant

This is Grant’s account of making Wah-Wah, his first film as director. Grant grew up in Swaziland and the film is about growing up there, so I read it as my book from Swaziland for the Read The World challenge.

For me, the book is mainly interesting for its portrayal of film-making, which is fascinating but sounds very very stressful: complicated, expensive, highly time-sensitive, and requiring the juggling of dozens of cast and crew, all of whom have other work commitments.

The film was a French co-production, for the sake of getting the right funding and tax breaks; and Grant had an exceptionally bad relationship with his French producer, who comes across in the book as startlingly incompetent and badly-suited to her job. In fact I suspect her first reaction on reading it was probably to call her lawyer.

It was slightly odd to be reading a making-of book for a film I haven’t seen, but it was an engaging read. I’ll keep an eye out for the film.

(and by the way, is it me or does Julie Walters look really weird in the poster?)

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Culture

Half of a Yellow Sun by Chimamanda Ngozi Adichie

Half of a Yellow Sun is a novel about the Biafran war, told from the perspective of three people on the Biafran side. It switches back and forth between their lives pre-war and the war years. Adichie is too young to have been part of the war herself, but I gather from the Author’s Note that her parents and grandparents were in the middle of it, and that this novel is at least in part based on their stories about it.

Although it is in a sense written from a partisan perspective, in that all the main characters are fairly keenly pro-Biafran, the novel is inevitably written and read with the knowledge that Biafra was a doomed entity. So that gives a gloomy irony to all the optimistic political rhetoric. 

Sitting here with the book in front of me, with the Daily Mail quoted on the cover as saying that it is “without doubt, a literary masterpiece and a classic”, I am churlishly inclined to start finding fault, because I’m not quite sure that it is an undoubted instant classic. It’s a well-written if fairly conventional novel with strong characters, touches of humour even amid the gloom, a streak of satire and interesting subject matter. But a masterpiece? Maybe not.

Still, it’s a really good novel and something of a page-turner, and I would unreservedly recommend it to anyone.

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Culture

We killed Mangy-Dog by Luis Bernardo Honwana

We killed Mangy-Dog & other Mozambique stories is one for the reading around the world challenge and also for the African Reading Challenge. I came across it when I was browsing through my bookshelves looking for books by people with foreign-sounding names. 

I have actually read it before — I read it when I bought it, about 15 years ago — but it’s short, so I thought I’d re-read it before ticking Mozambique off the list. I don’t remember it making much impact on me then, but this time I was impressed. It’s a slim (117 page) collection of vivid, fatalistic short stories, set in rural Mozambique and mainly told from a child’s perspective. Stylistically it has a kind of plain directness, in this translation at least. Kind of Hemingwayish. Not that I’ve read any Hemingway recently.

It seems to be out of print, unfortunately, but if you happen upon a copy somewhere, pick it up.

» The picture, Students returning from the school farm, was posted to Flickr by afronie and is used under a by-sa CC licence. It has no particular connection to the book except that it was taken in Mozambique.