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Another iPhone application I would pay good money for

Time Out on my phone.

I could only find one iPhone app with UK cinema listings and it didn’t have my local cinema listed, so that’s one thing I’d pay for on its own. But if I could get something with the whole lot — cinema listings, exhibitions, restaurant reviews, TV schedules, comedy, poetry readings — all optimised for use on my phone and location-aware, well, that would be brilliant. Actually, it’s a good rule of thumb: any way I can replace something I might otherwise carry around with me, that’s a winner. That’s why buying the A-Z was a no-brainer, why I want field guides on my phone, and why I want Time Out. Anything under £10 would be a bargain, and I’d probably pay more. I might even be willing to pay an annual subscription.

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from The Spectator

The original Addison and Steele version of The Spectator from 1711, that is, which I downloaded from Project Gutenberg to read on my phone. I thought this was amusing: 

As I was walking [in] the Streets about a Fortnight ago, I saw an ordinary Fellow carrying a Cage full of little Birds upon his Shoulder; and as I was wondering with my self what Use he would put them to, he was met very luckily by an Acquaintance, who had the same Curiosity. Upon his asking him what he had upon his Shoulder, he told him, that he had been buying Sparrows for the Opera. Sparrows for the Opera, says his Friend, licking his lips, what are they to be roasted? No, no, says the other, they are to enter towards the end of the first Act, and to fly about the Stage.

[ long passage snipped ]

But to return to the Sparrows; there have been so many Flights of them let loose in this Opera, that it is feared the House will never get rid of them; and that in other Plays, they may make their Entrance in very wrong and improper Scenes, so as to be seen flying in a Lady’s Bed-Chamber, or perching upon a King’s Throne; besides the Inconveniences which the Heads of the Audience may sometimes suffer from them. I am credibly informed, that there was once a Design of casting into an Opera the Story of Whittington and his Cat, and that in order to it, there had been got together a great Quantity of Mice; but Mr. Rich, the Proprietor of the Play-House, very prudently considered that it would be impossible for the Cat to kill them all, and that consequently the Princes of his Stage might be as much infested with Mice, as the Prince of the Island was before the Cat’s arrival upon it; for which Reason he would not permit it to be Acted in his House.

One passing observation: I knew they used capital letters a lot more in the C18th, but I don’t think I realised that they capitalised every single noun, however important or trivial. As German still does, I think.

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Culture

for reverence of his Sabot day

I downloaded a reader app for my iPhone and, browsing around Project Gutenberg for something public domain to read, I came across A Chronicle of London from 1089 to 1483, as transcribed and published by a couple of C19th antiquarians. There’s an awful lot of bureaucratic stuff about the mayor and sheriffs of London, and who’s in the Tower at the moment, which doesn’t have much interest for the casual reader. But there are enough little anecdotes like this one to hold the interest:

And in this yere, that is to seye the yere of our lord a mlcclviij, there fel a Jewe into a pryve at Teukesbury upon a Satirday, the whiche wolde nought suffre hym selfe to be drawe out of the preve that day for reverence of his Sabot day: and Sr. Richard of Clare, thanne erle of Gloucestre, herynge therof, wolde nought sufrre hym to be drawe out on the morwe after, that is to say the Soneday, for reverence of his holy day; and so the Jewe deyde in the preve.

This is in 1258, shortly after the death of Hugh of Lincoln and 30 years before England became the first country in Europe to expel its Jewish population.

The iPhone isn’t ideal for reading, but if you choose a fairly low-contrast combination of colours for the page and the text, it’s entirely manageable. I haven’t read anything very long yet, but if I was going on holiday I think I could do worse than take a dozen assorted books on my phone: a few Victorian novels, some poetry, who knows. Hell, if you’re willing to actually pay for the books, you can get ones which are still in copyright. The Chronicle actually works quite well because I can just dip into it from time to time and read a few pages without worrying about losing the thread.

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  • Great post at Metafilter: 'In 1857, hundreds of strange objects suddenly started appearing in London antique shops: coins and medals, vases and statues, all made out of soft metal with weird designs and cryptic lettering. They were the work of two illiterate London mudlarks, William Smith and Charles Eaton, who managed to fool some of the leading archaeologists of the day into accepting their forgeries as genuine medieval antiquities.'
    (del.icio.us tags: London C19th Thames antiquities forgeries )